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Bono Region Records Major Anti-Robbery Breakthrough as Police Arrest Key Suspects

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Bono Region Records Major Anti-Robbery Breakthrough as Police Arrest Key Suspects

The Bono Regional Police Command has achieved a significant breakthrough in its ongoing fight against armed robbery and organised crime, following the arrest and prosecution of several suspects believed to be behind a series of violent attacks across the region.

Addressing the media at the Regional Police Headquarters in Sunyani, the Bono Regional Police Commander, DCOP Joshua Coppson, said the arrests were made through coordinated, intelligence-driven operations carried out in Berekum, Drobo, Nkaseim, Domfete, Ewiakrom, and neighbouring communities.

The targeted operations focused on dismantling criminal networks involved in robbery attacks, firearm trafficking, and the smuggling of stolen motorcycles to Côte d’Ivoire.

The suspects arrested include:
• Johnson Amponsah Kwame Diawuo, 47
• Shadrach Owusu (alias Shark), 25
• Kwafo Samuel, 30
• Latif Mustapha (alias Star Boy), 28
• Mosby Owusu, 20
• Kofi Iddrisa, 45
• Kwabena Agon Azubilla Akalotey, 18
• Baba Kumi Foster, 35

Police investigations revealed that on November 18, 2025, a five-member gang led by Johnson Amponsah attempted to rob passengers travelling along the Berekum–Drobo Road. The attempt was foiled after a swift response from a Police Patrol Team.

During interrogation, suspects Shadrach Owusu and Kwafo Samuel admitted their involvement and named Johnson Amponsah as the leader. They also confessed to participating in multiple robberies around Nkaseim in the Ahafo Region.

A subsequent operation led to the arrest of Amponsah at his hideout in Nyamennae, a suburb of Berekum. A search of his residence uncovered quantities of Indian hemp, two motorcycle helmets, and two machetes, all retrieved as exhibits.

In a separate operation, officers from the Regional Police Intelligence Directorate arrested Latif Mustapha (Star Boy) and Mosby Owusu at Domfete near Berekum. Latif attempted to evade arrest by hiding in his ceiling but was later apprehended following a meticulous search.

Further checks revealed that suspect Kwabena Agon Azubilla Akalotey, already on remand for stealing, owned a pistol previously recovered during police operations.

A search of Latif Mustapha’s room uncovered a significant cache of items, including full military camouflage uniform, military jacket and boots, a toy Glock pistol, taser, live and spent foam bullets, pepper spray, multiple knives and scissors, talismans, war regalia, two laptops, swimming goggles, and toffees suspected to be infused with Indian hemp.

Police also discovered a Parabellum Model R-9 Hungarian pistol loaded with two rounds of 9mm ammunition hidden in the room of Mosby Owusu. He told investigators he purchased the weapon from Latif Mustapha for GHS 9,000 and that Latif occasionally retrieved it from him.

In efforts to dismantle a separate criminal chain involved in receiving and transporting stolen motorcycles and tricycles to Côte d’Ivoire, officers arrested Kofi Iddrisa and Baba Kumi Foster at Ewiakrom near Nkrankwanta. Three motorcycles and one tricycle were seized as evidence.

On December 2, 2025, suspects Johnson Amponsah, Shadrach Owusu, and Kwafo Samuel were arraigned before the Fiapre Circuit Court on charges of conspiracy to commit robbery and attempted robbery. They were remanded and will reappear on December 22.

That same day, suspects Latif Mustapha (Star Boy) and Mosby Owusu were arraigned before the Sunyani District Court B on charges of illicit trafficking of firearms, unlawful possession of firearms, and possession of military uniforms without authority. They were remanded to reappear on December 15.

However, suspects Kofi Iddrisa and Baba Kumi Foster, who are being investigated for dishonestly receiving stolen items, were granted police inquiry bail pending further investigations.

The Bono Regional Police Command has reiterated its commitment to dismantling criminal networks and is calling on the public to provide credible information to support ongoing operations. The Command says efforts are underway to arrest additional accomplices still at large and retrieve more illegal weapons linked to the syndicates.

Two Female Prison Officers Dead, Two Male Officers Critical in Akuse Road Crash

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Two Female Prison Officers Dead, Two Male Officers Critical in Akuse Road Crash

The Akuse Local Prison community has been thrown into deep mourning following a tragic accident on the morning of Saturday, December 6, 2025, which claimed the lives of two female prison officers and left two male officers in critical condition.

The Akuse District Police Command has begun a full investigation into the fatal crash, which occurred along a key stretch of road between the Akuse Junction and the VRA Junction. Although the exact circumstances surrounding the accident remain unclear, police have confirmed that the vehicle involved was a Toyota Corolla with registration number GS 4817-17.

The violent impact of the collision resulted in the immediate deaths of the two female officers. Their two male colleagues, who were also inside the vehicle, sustained multiple fractures and severe injuries.

Emergency teams rushed the injured officers to the Akuse Government Hospital, where they received initial treatment. Due to the seriousness of their condition, they were later referred to St. Joseph Hospital in Koforidua in the Eastern Region for advanced medical care.

The news has left staff of the Akuse Local Prison devastated. Colleagues describe the atmosphere within the facility as one of overwhelming shock and heartbreak, as they mourn the two officers who died and pray for the recovery of the injured.

Police have officially launched an inquiry into the fatal incident, focusing on gathering evidence, speaking to witnesses, and conducting a detailed inspection of the crashed vehicle to piece together what led to the accident.

This tragic event highlights the dangers faced by security officers, not only during active duty but also while travelling for official responsibilities. The Akuse Local Prison, located in the Lower Manya Krobo Municipality, is one of the key correctional facilities in the Eastern Region, and the loss of personnel has deeply shaken the tight-knit security community.

Golden Voice Silenced: Maame Tiwaa of Yaw Sarpong’s Asomafo Passes On

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Golden Voice Silenced: Maame Tiwaa of Yaw Sarpong’s Asomafo Passes On

Ghana’s gospel music fraternity has been thrown into mourning following the passing of Maame Eno Tiwaa, a long-serving and iconic member of the legendary group Yaw Sarpong and Asomafo. She died in the early hours of Sunday, December 7, 2025.

Her passing was confirmed by the group’s manager, Nana Poku Ashis, who revealed to myjoyonline.com that Eno Tiwaa had been unwell for several weeks before her death.

Ashis described her as a pillar of strength, noting that her life was characterised by deep commitment, humility, and sacrifice. According to him, for more than four decades she played an instrumental role in the success and stability of both Yaw Sarpong and the group.

“For the past 40 years, Eno Tiwaa has contributed so much to the group and to Yaw Sarpong. She always made sure Yaw was in a good condition,” he said.

Before her passing, she was the primary caregiver of Yaw Sarpong, who himself has been battling health challenges in recent years.

Widely celebrated for her silky, unmistakable voice, Eno Tiwaa earned admiration from gospel music lovers across Ghana and beyond. In 2021, she received her first nomination in the 3Music Awards Female Vocalist of the Year category — a recognition many felt was long overdue.

Her last major public appearance was at the 2025 Telecel Ghana Music Awards on May 10, where she delivered an emotionally charged performance after receiving the Lifetime Achievement Award on behalf of Yaw Sarpong and Asomafo.

Her death marks a significant loss to Ghanaian gospel music, leaving behind a legacy of passion, faith, and timeless melodies.

Lightwave Accuses NHIA of Audit Irregularities, Questions Competitor’s Role in Probe

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Lightwave Accuses NHIA of Audit Irregularities, Questions Competitor’s Role in Probe

Eric Adjei, Project Coordinator for Lightwave eHealth Solutions, has raised serious concerns about what he describes as troubling irregularities in an audit conducted by the National Health Insurance Authority (NHIA) into the company’s operations.

Speaking on the JoyNews AM Show, Adjei suggested that certain developments surrounding the audit point more to personal or institutional conflicts than to any genuine procedural issues. He emphasised that while the company has always cooperated with audits and investigations, the process in this case appears compromised.

According to him, Lightwave — developers of the Lightwave Health Information Management System (LHIMS) — was surprised to learn that a competing institution had been tasked with leading aspects of the audit, a move he believes undermines the credibility of the exercise.

“We do not have any problem with any institution going to do an audit or investigation. But again, why do you send a competitor to go do an audit?” he questioned.

He further revealed that GH₵10.45 million, which was originally allocated to Lightwave from NHIA funds, had been redirected to the auditing institution in 2024. Adjei described the transaction as deeply unusual and insisted that only the Minister of Health can explain the circumstances behind it.

The dispute comes at a time when the Ministry of Health is accusing Lightwave of breaching a $100 million contract by failing to connect 950 health facilities to the LHIMS platform. Adjei dismissed the allegation, insisting that Lightwave has fulfilled its contractual obligations and that the financial and audit inconsistencies suggest a much deeper unresolved issue.

“There is some form of hidden mystery which I think only the Minister of Health, the current minister, will be able to answer,” he said. “We’ve done our checks, and everything points to one particular direction.”

Lightwave eHealth Solutions remains a major partner in Ghana’s digital health transformation agenda, working to enhance service delivery, data management, and efficiency across the system. The situation, however, highlights broader concerns about oversight, transparency, and the management of public-private partnerships within the country’s health sector.

Gov’t Probes Claims of Assassination Attempts on Kissi Agyebeng and Assault on OSP Official

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Gov’t Probes Claims of Assassination Attempts on Kissi Agyebeng and Assault on OSP Official

The Ministry of the Interior has directed a full-scale investigation into shocking claims that the Special Prosecutor, Mr. Kissi Agyebeng, survived two assassination attempts while performing his duties.

The decision follows revelations made by the Director of Research, Communications and Strategy at the Office of the Special Prosecutor (OSP), Sammy Darko, during an appearance on Newsfile on Saturday, December 6. His comments come at a time when public pressure on the OSP to deliver on its anti-corruption mandate continues to intensify.

According to the Ministry, Mr. Darko also alleged on the same programme that he had been handcuffed and assaulted by 17 police officers—claims the Ministry describes as deeply troubling.

“The Director of Strategy, Research and Communications at the Office of the Special Prosecutor, Mr Samuel Appiah Darko, mentioned the assassination attempt on Newsfile on December 6, 2025. He also claimed on the same programme that he had been handcuffed and beaten by 17 police personnel,” the statement noted.

The Ministry said such allegations, if confirmed, pose a severe threat to Ghana’s anti-corruption agenda and undermine the safety of officials leading accountability efforts.

Preliminary engagement with the Special Prosecutor indicates that the alleged assassination attempts occurred before 2025. However, authorities say no official report of such threats exists in any police or security agency records.

In response, the Minister for the Interior has issued two directives. First, a comprehensive investigation has been ordered into the alleged assassination attempts, stressing that “crime does not expire.” Second, a separate inquiry will examine Mr. Darko’s claim that he was handcuffed and assaulted by multiple police officers.

“The Ministry has ordered a full-scale investigation into the claim of assassination attempts, and another inquiry into the allegation that Mr. Samuel Appiah Darko was handcuffed and beaten by 17 police personnel,” the statement added.

The Ministry assured the public that updates will be provided once findings are concluded and necessary actions are taken.

Reaffirming its mandate, the Ministry stressed its commitment to protecting lives and ensuring that all individuals can go about their lawful duties without fear.

“The Ministry of the Interior reiterates its commitment to ensuring the safety of all Ghanaians and safeguarding lives and property,” the statement concluded.

TUCEE and LECERP Join Forces to Combat the Hidden Scars of School Bullying

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TUCEE and LECERP Join Forces to Combat the Hidden Scars of School Bullying

In a powerful demonstration of national advocacy, the TUCEE Institute of Counselling and Technology, in partnership with the Legon Centre for Education Research and Policy (LECERP) at the University of Ghana, marked the International Day Against Violence and Bullying at Schools with a transformative event that placed emotional safety at the centre of education.

Held at Presbyterian Senior High School in Mampong-Akuapem on November 6, 2025, the programme highlighted the invisible yet deeply damaging effects of bullying—effects that often outlast the school environment and shape a young person’s emotional well-being for life.

Rooted in the global theme “The Scars You Don’t See: The Lasting Impact of Violence and Bullying,” the gathering underscored TUCEE’s broader mission of championing empathy, emotional intelligence, and safe learning spaces within Ghana’s educational ecosystem.

Unmasking the Hidden Damage of Bullying

The event’s keynote facilitator, Mr. Wisdom K. Kudjordji, a seasoned communications and behavioural expert, delivered an engaging and introspective session that challenged students to rethink the cost of their actions and words. Through interactive reflection exercises, he guided participants to confront the reality that bullying leaves emotional and psychological wounds that are often hidden from sight but painfully felt.

Mr. Kudjordji’s presentation shed light on the various forms of bullying—physical, verbal, relational, sexual, and cyberbullying—revealing their long-term consequences, which can include chronic anxiety, depression, low self-esteem, social withdrawal, and in severe cases, suicidal ideation.
He posed a striking question: “Have you ever thought about how your words or actions affect others?” A question that resonated strongly across the room.

He further warned perpetrators that harming others is not without consequence: “The harm you cause others now will haunt you later in life. No one builds a bright future on another person’s pain.”

“See It. Say It. Stop It.”

A central message echoed throughout the programme was the call to action for students to become active defenders rather than silent bystanders.
Participants were reminded to:

See it.
Say it.
Stop it.

Students were encouraged to replace self-blame with self-worth, speak up when affected, and seek support when needed.

Counselling, Healing, and Safe Expression

Beyond the main engagement, TUCEE counsellors conducted a private counselling and Q&A session where students shared personal experiences, some revealing ongoing struggles with bullying.
These interactions provided a safe space for healing, guidance, and emotional validation—a core aspect of TUCEE’s holistic counselling approach.

TUCEE’s Ongoing Commitment

The event reaffirmed TUCEE Institute’s commitment to promoting psychological safety and nurturing the emotional resilience of learners across the country. By partnering with LECERP, TUCEE continues to amplify its advocacy for empathy, mental health awareness, and supportive educational environments.

As the challenges of violence and bullying evolve in both physical and digital spaces, TUCEE stands ready to lead national efforts in empowering students with the skills, confidence, and emotional intelligence needed to thrive.

For future collaborations and initiatives, TUCEE encourages stakeholders, schools, and communities to engage through its Programmes Manager, Mr. Ato Anamann.

Read the full document here:
REPORT ON PARTNERSHIP WITH LECERP AGAINST VIOLENCE AND BULLYING AT SCHOOLS

MUSIGA celebrates 50 years of Ghana Music on 29 November 2025.

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MUSIGA celebrates 50 years of Ghana Music on 29 November 2025.

The Musician’s Union of Ghana (MUSIGA) is gearing up for a monumental celebration as the union marks 50 years of its establishment on 29 November 2025. The golden jubilee, themed “Honouring the Past, Celebrating the Present, Securing the Future,” promises to be one of the most historic events in Ghana’s entertainment history.

Founded in 1975 to unify, empower, and promote Ghanaian musicians, MUSIGA has grown into a major force within the African music ecosystem. Its 50th anniversary offers both reflection and celebration of the remarkable journey Ghanaian music has taken—from highlife roots to contemporary Afrobeats dominance.

The anniversary event will be held in Accra, bringing together industry leaders, veteran musicians, emerging talents, policymakers, cultural institutions, and global partners who have supported Ghana’s music development.

According to MUSIGA organizers, the celebration will spotlight the evolution of Ghanaian sound, tracing how music icons shaped the national identity through rhythms, lyrics, and innovation.

The union’s president noted that this milestone is not only about nostalgia but is also a call to action for strengthening structures that protect musicians’ rights, welfare, and economic growth.

The anniversary program will feature a historic musical showcase, where legends from the 1970s, 80s, and 90s will share the stage with today’s chart-topping stars. This symbolic fusion underscores MUSIGA’s mission of bridging generations.

Highlife greats, gospel pioneers, hiplife trailblazers, and Afrobeats sensations have all been invited to perform, making the event a grand representation of Ghana’s diverse music landscape.

One of the highlights is the launch of the “50 Years of Ghana Music” archival project, aimed at preserving rare recordings, videos, and historical documents for educational and cultural research.

MUSIGA also intends to unveil a Legacy Hall of Fame, recognizing musicians who have contributed significantly to Ghana’s cultural influence both at home and internationally.

Industry players have praised MUSIGA for embracing digital innovation, especially at a time when streaming has transformed the music business. This anniversary will include discussions on how to use technology to boost revenue for Ghanaian artists.

A major panel session will examine the role of copyright enforcement, royalties, and music publishing—issues that MUSIGA has long advocated for but are now even more important in the digital age.

The event also comes at a time when Ghanaian artists are experiencing rising global visibility, with collaborations between local stars and international acts helping amplify Ghana’s creative reputation.

MUSIGA leadership says part of the anniversary goal is to build momentum for Ghana’s music export strategy, ensuring artists can access bigger markets across Africa, Europe, and the United States.

To commemorate the golden jubilee, MUSIGA will release a documentary capturing interviews with legends, behind-the-scenes stories, and the evolution of Ghana’s social culture through music.

The documentary is expected to serve as an educational tool for students, historians, and young creatives seeking to understand Ghana’s musical heritage.

The union will also publish a 50-year commemorative magazine, featuring profiles of influential artists, historical timelines, and reflections from industry experts on the future of Ghanaian music.

In addition to the celebrations, MUSIGA will launch a youth-focused mentorship initiative designed to guide the next generation of producers, songwriters, musicians, and managers.

This initiative includes masterclasses led by some of Ghana’s most respected music professionals, aimed at improving industry standards and developing global-ready talent.

The golden jubilee is expected to attract international guests from partner organizations, including African music unions, global streaming platforms, cultural agencies, and diaspora entertainment bodies.

Tourism officials have also expressed optimism that the event will boost Ghana’s creative tourism sector, drawing visitors interested in cultural experiences.

Several corporate sponsors have aligned with the celebration, recognizing the commercial influence of Ghanaian music across the continent.

MUSIGA’s anniversary will also honor pioneers who fought for musicians’ rights in the early years, navigating political change, limited technology, and restricted resources to build a strong cultural foundation.

Young artists have welcomed the celebration, noting that it provides inspiration and visibility for emerging creatives striving to contribute to Ghana’s global music footprint.

As part of the celebrations, the union plans a nationwide outreach tour engaging musicians across regions to ensure every corner of Ghana feels included in the 50-year milestone.

The union has also announced the creation of a digital database to register and document all active Ghanaian musicians for better industry coordination.

Music critics believe that MUSIGA’s golden jubilee symbolizes resilience, especially considering the challenges Ghana’s music industry has faced over five decades—piracy, limited infrastructure, and funding gaps.

With Afrobeats and Highlife gaining renewed global interest, MUSIGA sees the golden jubilee as a springboard for a new era of creative expansion.

Organizers say the anniversary will celebrate not just the stars, but also producers, engineers, managers, DJs, and cultural advocates who contribute behind the scenes.

Ultimately, the 50-year celebration is expected to reaffirm Ghana’s position as a musical powerhouse whose rhythms continue to influence Africa and the world.

As 29 November 2025 approaches, anticipation is building for an unforgettable celebration that will honor the past, celebrate the present, and inspire the future of Ghanaian music.

Kwaku Cenima shuts down the stage:A defining moment for Ghana’s fast rising star.

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Kwaku Cenima shuts down the stage:A defining moment for Ghana’s fast rising star.

The Ghanaian music industry experienced a thrilling spectacle as rising artiste Kwaku Cenima delivered one of his most captivating performances yet, igniting the crowd with unmatched energy and stage presence.

The event, already buzzing with excitement, became a turning point in the night when Kwaku Cenima stepped onto the stage, signaling the arrival of a new force in Ghana’s entertainment space.

His introduction was met with roaring cheers, a clear indication that the audience recognized his growing influence and were prepared for something extraordinary.

From his first note to the final beat, Kwaku Cenima demonstrated a level of command that many emerging artistes take years to achieve.

His stage charisma was undeniable, and his intense connection with the audience gave his performance a magnetic glow that resonated throughout the venue.

The young star moved confidently across the stage, maintaining precision, rhythm, and vocal clarity that kept the crowd fully engaged.

Each moment seemed carefully crafted yet effortlessly natural, showcasing a performer who understands what it means to entertain at a professional level.

As fans chanted along, it became evident that Kwaku Cenima’s music is beginning to penetrate the mainstream consciousness with growing momentum.

One of the most iconic moments of the night unfolded when Kwaku Cenima shared the stage with the legendary Shatta Wale, Ghana’s self-acclaimed Dancehall King.

Performing alongside Shatta Wale is a monumental opportunity for any rising artiste, yet Kwaku Cenima matched the energy with confidence and artistic maturity.

Their on-stage chemistry produced an atmosphere of excitement, merging youthful talent with superstar experience in a seamless blend.

Fans erupted in excitement, witnessing a moment that symbolized both mentorship and industry acknowledgment.

Another memorable highlight was his interaction with Wendy Shay, one of Ghana’s most influential female musicians.

Her presence on stage added a dynamic blend of style, synergy, and star power, amplifying the overall excitement of the performance.

With additional A-list artistes also gracing the event, the night was packed with entertainment excellence and unforgettable moments.

Yet among all the stars, Kwaku Cenima’s performance stood out as a defining chapter in his rapidly evolving journey.

Industry insiders, critics, and fans have praised his delivery, noting that he performed like an artiste ready for headline status.

His smooth handling of the massive crowd and ability to maintain high energy from start to finish showed that he is equipped for bigger stages.

This performance may very well become the moment that places Kwaku Cenima firmly on the national spotlight.

Many entertainment observers believe that such exposure is exactly what young artistes need to break into the upper tier of Ghanaian music.

With his stagecraft improving at a rapid pace, Kwaku Cenima is showing signs of becoming one of the most promising voices of his generation.

Talks have already begun among fans and insiders about potential collaborations with established stars.

A partnership with Wendy Shay, for instance, appears both possible and highly anticipated, given their synergy on stage.

Their vocal styles and artistic energies complement each other, making a future single or EP collaboration a natural progression.

Regardless of what comes next, one thing is certain: Kwaku Cenima is steadily climbing the ranks of Ghana’s vibrant music scene.

His boldness, talent, and consistency have set him apart as an emerging artiste with the ability to compete among the best.

As fans continue to share videos and reactions on social media, the buzz surrounding his performance is growing even louder.

If this momentum continues, Kwaku Cenima may soon rise from promising newcomer to one of Ghana’s most celebrated music exports—and last night’s performance will be remembered as the spark that lit the fire. Don’t forget to leave your comment.

South African Music Awards(SAMA31) a celebration of excellence returns with new energy.

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South African Music Awards(SAMA31) a celebration of excellence returns with new energy.

The South African Music Awards (SAMA31) are officially set to take centre stage this year, promising a renewed celebration of musical excellence, creativity, and storytelling within South Africa’s diverse music industry.

SAMA31 will be held at the SunBet Arena at Time Square in Pretoria, one of the country’s most iconic and modern indoor venues, known for hosting world-class concerts and entertainment events.

Organizers say the choice of venue reflects a new direction for the awards — a bigger hall, superior infrastructure, and top-tier technical capabilities that match the ceremony’s rising international appeal.

This year’s awards ceremony aims to embrace a refreshed creative vision, focusing on authenticity, African innovation, and a renewed respect for South Africa’s rich musical heritage.

The theme for SAMA31 is “Elevate the Culture”, signaling an intention to uplift local talent while spotlighting the influence of South African music across global platforms.

Fans can expect an immersive experience that blends live musical performances, digital artistry, and high-fashion aesthetics, all curated to showcase the dynamic evolution of the South African sound.

As with previous years, the awards will honour outstanding achievements across genres including Afropop, Amapiano, Hip-hop, Gospel, Traditional, Maskandi, Gqom, Jazz, and Classical.

One of the most anticipated categories of SAMA31 is the Album of the Year, which traditionally celebrates artists whose projects shaped the national soundscape over the past year.

The Best Amapiano Artist category is also drawing special attention, given the genre’s explosive global rise and its influence on the 2024/2025 musical trends.

In addition to competitive categories, SAMA31 will also recognize lifetime achievers, industry pioneers, and cultural icons whose contributions have impacted South African music for decades.

The red-carpet event is expected to draw celebrities, industry executives, influencers, and global guests, making it one of the most glamorous nights on the South African entertainment calendar.

Fashion remains a hallmark of the SAMAs, and this year’s edition will showcase a curated mix of Afrocentric couture, avant-garde looks, and designer collaborations that reflect the modern South African identity.

Stage design for SAMA31 will feature high-end lighting, 3D digital projections, pyrotechnics, and multimedia screens, ensuring a visually engaging show from start to finish.

Producers have teased a series of special performances, including tribute segments honouring late artists who significantly shaped South African music in recent years.

Emerging artists are also set to receive the spotlight through the Newcomer Showcase, a platform dedicated to young and rising talents making waves across various genres.

This year’s production team has emphasized a strong commitment to storytelling, with each performance and award segment designed to reflect cultural pride and artistic evolution.

Digital integration will play a major role, as SAMA31 will include interactive online elements, livestream segments, and fan engagement activities across all social media platforms.

For the first time, the awards will introduce the SAMA Fan Choice Stage, allowing audiences to vote for special live collaborations and surprise performances.

Music executives say the 31st edition marks a turning point in the award show’s history, with reforms aimed at improving transparency in the selection and voting processes.

The Recording Industry of South Africa (RiSA) has reassured the public that category definitions, voting criteria, and judging panels have been refined to uphold fairness and credibility.

Economic implications are also expected, with tourism bodies projecting a significant boost to Pretoria’s hospitality sector due to the influx of local and international attendees.

Hotels, restaurants, clubs, and local businesses around Time Square are preparing for heightened activity in the days leading up to the awards.

Television networks have confirmed plans to broadcast the event live, ensuring millions of viewers across Africa and beyond can enjoy the historic celebration.

SAMA31 is also expected to trend heavily online, as fans share reactions, performances, and red-carpet moments in real time across major digital platforms.

Industry analysts predict that standout performers and winners from SAMA31 could see immediate boosts in streams, bookings, and international recognition.

As anticipation builds, the South African Music Awards (SAMA31) stand ready to celebrate artistry, honour legends, uplift new voices, and push the boundaries of African creativity in 2025.

AfroFuture Ghana 2025 lineup announced : A new era for Africa’s biggest cultural festival.

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AfroFuture Ghana 2025 lineup announced : A new era for Africa’s biggest cultural festival.

AfroFuture Ghana 2025 has officially unveiled its electrifying lineup, setting the stage for another unforgettable cultural celebration in Accra. The annual festival, known for merging music, art, fashion, and African futurism, promises its most ambitious edition yet.

This year’s event is scheduled for December 28–29, 2025, and will once again take place at the iconic El-Wak Sports Stadium, a venue that has hosted the festival since its rebranding from Afrochella.

Organizers announced the lineup with a visually stunning digital campaign, highlighting an impressive mix of African and global artists. The 2025 roster is already generating massive excitement across the continent.

Headlining the festival is Nigerian superstar Asake, who returns to Accra after a successful global tour. His addition to the lineup is being celebrated as one of the strongest draws for AfroFuture fans.

South African DJ duo TxC also feature prominently. Their amapiano-driven performances have gone viral globally, making them one of the most anticipated acts of this year’s event.

Ghana’s own talents are strongly represented, with Moliy, King Paluta, and Mavo joining the headline roster. Their inclusion reinforces AfroFuture’s tradition of celebrating homegrown artistry.

Moliy, known for her ethereal vocals and Afrofusion style, is expected to deliver a performance that blends futuristic visuals with Ghanaian musical identity.

King Paluta’s slot is particularly notable following his recent chart-topping releases. His energy-packed performances have made him a favorite among Ghana’s youth.

Another rising name to watch is Mavo, whose genre-bending sound has positioned him as one of the most promising young voices in Ghanaian music today.

Beyond the headliners, AfroFuture 2025 includes an ensemble of DJs who are set to keep the stadium alive with pulsating soundscapes from across Africa and the diaspora.

Festival organizers have emphasized that the 2025 edition will extend beyond music, with enhanced artistic installations, interactive tech zones, and storytelling spaces showcasing African innovation.

This year’s theme focuses on “The New African Energy”, spotlighting youth-led creativity, digital expression, and visionary designs shaping Africa’s future cultural identity.

Fashion remains central to AfroFuture’s brand, and organizers say 2025 will feature expanded fashion runways, designer showcases, and style exhibitions celebrating Afrocentric aesthetics.

For the first time, AfroFuture will feature a Creative Commerce Arena, a marketplace for emerging designers, tech startups, and handmade African brands.

Food lovers will also enjoy an upgraded culinary village, offering traditional dishes, fusion menus, and contemporary African street food experiences.

The announcement of the lineup has already taken over social media, with fans expressing excitement at the blend of mainstream superstars and emerging talent.

Organizers say the selection was curated to reflect the diversity of African sound, from Afrobeats and highlife to amapiano, alté, and experimental fusion.

Partnerships with global media outlets, streaming platforms, and international fashion brands are expected to amplify the festival’s reach beyond Africa.

Security preparations are underway, with organizers promising an improved crowd management system following increased attendance projections for 2025.

Tourism authorities are also anticipating a surge in arrivals, as AfroFuture has become a major attraction for diasporans returning home during Ghana’s December festivities.

Hotels, travel agencies, and local businesses are preparing for what analysts say will be one of the busiest holiday seasons in recent years.

In addition to performances, the festival will host panel discussions and creative summits focusing on African entrepreneurship, film, technology, and entertainment futures.

Organizers are encouraging early ticket purchases, noting that VIP and Platinum Access passes are historically the first to sell out.

Asake, TxC, Moliy, and King Paluta have each expressed excitement about performing, with some hinting at special collaborations and surprise guest appearances.

Music critics believe this year’s lineup reflects a refined creative direction for AfroFuture, blending established icons with breakthrough talents in a way that appeals to global audiences.

The festival’s influence continues to grow, solidifying Ghana’s position as one of Africa’s leading destinations for cultural and entertainment tourism.

With the AfroFuture Ghana 2025 lineup now officially announced, anticipation is at an all-time high. Fans across the continent are counting down to two days of music, art, culture, and pure African excellence.

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